The earliest Buddhist art of China can only be understood when seen in relation to a wider area comprising Central Asia and India. This is exactly the purpose of the underlying volume. Presenting the earliest Buddhist art of China in its wider context of the Bactrian and Southern Silk Road regions in Central Asia (1st to 4th century A.D.), the author offers clarifications of th...(展开全部)

Volume two of Marylin Rhie’s widely acclaimed and formative multi-volume work presents a comprehensive, scholarly and detailed study of the Buddhist art of China and Central Asia from 316-439 A.D. during the formative early periods of Buddhism in the Eastern Chin and Sixteen Kingdoms Period. Using texts translated from the Chinese together with stylistic and technical analyses,...(展开全部)

Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presen...(展开全部)

Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presen...(展开全部)

Powers examines the art and politics of the Han dynasty (206 BC to 220 AD) and shows that both were influenced by the rise of an educated, non-aristocratic public who questioned the authority of the ruling class at all levels.

许理和 Erik Zürcher (1928-2008），荷兰莱顿大学教授。1959年以《佛教征服中国》获得博士学位，该书于当年出版后久享盛誉。1962年任莱顿大学东亚史教授，1969年创设莱顿大学汉学院现代中国资料中心，1974-1990年任该校汉学院院长，期间还 兼 任该校中文系主任、《通报》主编。其最大的兴趣是“当东方遇到西方”，既研究佛教在中国的传播与适应，也探讨明末清初耶稣会来华史，设法了解中国在接受外来影响时的反应与适应过程。还著有《中国耶稣会士传记，约1580—1680》、《佛教、基督教与中国社会》、《佛教：在词语、地图与图片里的起源与传播》等。

许理和 Erik Zürcher (1928-2008），荷兰莱顿大学教授。1959年以《佛教征服中国》获得博士学位，该书于当年出版后久享盛誉。1962年任莱顿大学东亚史教授，1969年创设莱顿大学汉学院现代中国资料中心，1974-1990年任该校汉学院院长，期间还 兼 任该校中文系主任、《通报》主编。其最大的兴趣是“当东方遇到西方”，既研究佛教在中国的传播与适应，也探讨明末清初耶稣会来华史，设法了解中国在接受外来影响时的反应与适应过程。还著有《中国耶稣会士传记，约1580—1680》、《佛教、基督教与中国社会》、《佛教：在词语、地图与图片里的起源与传播》等。

许理和 Erik Zürcher (1928-2008），荷兰莱顿大学教授。1959年以《佛教征服中国》获得博士学位，该书于当年出版后久享盛誉。1962年任莱顿大学东亚史教授，1969年创设莱顿大学汉学院现代中国资料中心，1974-1990年任该校汉学院院长，期间还 兼 任该校中文系主任、《通报》主编。其最大的兴趣是“当东方遇到西方”，既研究佛教在中国的传播与适应，也探讨明末清初耶稣会来华史，设法了解中国在接受外来影响时的反应与适应过程。还著有《中国耶稣会士传记，约1580—1680》、《佛教、基督教与中国社会》、《佛教：在词语、地图与图片里的起源与传播》等。

许理和 Erik Zürcher (1928-2008），荷兰莱顿大学教授。1959年以《佛教征服中国》获得博士学位，该书于当年出版后久享盛誉。1962年任莱顿大学东亚史教授，1969年创设莱顿大学汉学院现代中国资料中心，1974-1990年任该校汉学院院长，期间还 兼 任该校中文系主任、《通报》主编。其最大的兴趣是“当东方遇到西方”，既研究佛教在中国的传播与适应，也探讨明末清初耶稣会来华史，设法了解中国在接受外来影响时的反应与适应过程。还著有《中国耶稣会士传记，约1580—1680》、《佛教、基督教与中国社会》、《佛教：在词语、地图与图片里的起源与传播》等。

Buddhism is the single common thread uniting the Asian world, from India to South-East Asia and through Central Asia to China, Korea and Japan. To guide and inspire believers, innumerable symbols and images were made, beginning in India in the 3rd century BC. This phenomenally diverse tradition includes not only frescoes, relief carvings, colossal statues, silk embroideries and...(展开全部)